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“Here they are, my lost people, in need of strongmen and simple ideas,” says Benito Mussolini to the camera. It is March 23 1919, and all that we know will happen in Italy and all that we know this man will become is only just being set in motion. Mussolini: Son of the Century, a new Italian-language Sky Atlantic TV series, tells the story of this beginning, of the rise of Italian fascism and its consolidation in power from 1919 to 1925.
Set out in eight parts, it’s a striking and powerful piece of TV. Italian actor Luca Marinelli performs indomitably as the 35-year-old soon-to-be dictator, Benito Mussolini. Our reviewer, expert in Italian history John Foot, has spent countless hours studying and watching Mussolini. He was blown away by the precision with which Marinelli expels torrents of words – many of which have been drawn directly from Mussolini’s journalism and speeches.
The series is coming at a moment when far-right leaders are winning elections all over the world and its director, Joe Wright, is keenly aware. This series is clearly a warning. Democracy is fragile. Yes, this series is about the man who would become “Il Duce” (the Duke) but it shows, as Foot notes, how he was enabled and how easily his incendiary language and the violence of his supporters were ignored.
Mussolini: Son of the Century is available on Sky Atlantic now
Read more: Why I loved the new Mussolini drama – by an expert in Italian fascism
Dark history
If you’re looking to learn about another bit of global history through brilliant storytelling let me recommend the director Tim Fehlbaum’s new film September 5. The film recounts the Black September attack on the Israeli team at the 1972 Munich Olympics.
As our reviewer, film expert Barry Langford writes, this incident arguably introduced the term “terrorist” to many viewers for the first time. The story has been told many times but the focus here is on the American sports broadcasting crew tasked with covering the hostage crisis. The drama unfolds almost entirely within the confines of the control room.
It is a tense and tightly-packed 94 minutes that does this story justice and shows that big topics can be handled well in short (for these days) films.
September 5 is in cinemas now.
Read more: September 5: tense and taut drama vividly recreates the Munich massacre
Another historical fiction recommendation is the new book from the Nobel literature prize-winning South Korean author Han Kang, We Do Not Part. First published in 2021 and now translated into English, it takes on the memories and lasting shadow of Jeju 4.3 (1947 to 1948) on the families who survived.
The official figure of how many people died is still not known, and it’s assumed that around 10% of the population of Jeju island was killed during this US-backed operation by the Korean government to eradicate communists and their sympathisers. The incident was suppressed by the government until 2000 when it was officially recognised.
In this book, Kang bears witness to the horror through Kyungha, who is snowed in at her friend Inseon’s compound in Jeju. There, she discovers Inseon’s lifelong investigation into her family’s experiences of the massacres.
It is told in a sort of dizzying, fragmentary style where excerpts of interviews, descriptions of pictures and passages of memories intersect with Kyungha’s present. Haunting and harrowing at times, it features Han Kang’s typical precise language and brilliantly unnerving and dreamlike storytelling.
Killer robots and giant whales
Film’s fascination with the possibility of sexy female robots goes back to Fritz Lang’s Metropolis in 1927. Men lust after these robots, but also fear them – and often rightly so. Some of my favourites in this genre are Ridley Scott’s Blade Runner (1982), Alex Garland’s Ex Machina (2014) and now Drew Hancock’s Companion (2025).
Companion follows Iris and Josh, a seemingly average couple bound in their driverless car for a weekend away with Josh’s friends. Iris, like many girlfriends in this scenario, is eager to be a success. But, she isn’t a normal girl, she’s a sophisticated humanoid companion bot – something she doesn’t know about herself … yet. What begins with dinner parties and dancing soon devolves into violence as something in her programming goes wrong.
As our reviewer Sarah Artt notes: “What makes Companion unsettling is not so much its depiction of cyborgs but rather its portrayal of misogyny.” This glossy film asks what makes someone a good partner to anyone, sophisticated robot or otherwise. Does our treatment and respect of humanoid bots and AI matter? I saw this film last week and am still thinking about it.
Companion is in cinemas now.
Finally, if you are in or happen to be going to Winchester this month, pop by the cathedral to gawp in awe at three huge sculptures of sperm whales hanging from the ceiling in the nave. The immersive exhibition Whales is by artist Tessa Campbell Fraser and asks visitors to stare up at the majesty of these almighty creatures and contemplate humankind’s increasing ecological impact on the world’s climate.
Whales is on at Winchester Cathedral until February 26.
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